Currently listening to Edgar Meyer on double bass with Béla Fleck, while making up my own chocolate syrup from cocoa powder and sugar. This concoction is for a peppermint mocha that I'm making this late Saturday morning to sip whilst I read some Charlotte Mason for book club.
It is so quiet in the house, as our four jr. high and high schoolers had a lock-in with their church youth group friends or stayed at friends' homes. I'm very glad, as we had co-op, so I was "wiped out" from the time and energy that it takes for the planning and executing of a successful day. The middle two are back now, but fast asleep, of course! I hear they had a wonderful time of snacks, games, and even a 2 a.m. worship time that DD got to serve in by her preparation of the set and playing the bass guitar. Oldest son is with his best buddies-four, as one of their own has returned from college for spring break, so they have gotten to catch up and have good discussions, etc.
Most of Edgar Meyer's music (that I've heard thanks to Dread Pirate Sparse-beard) is a wonderful and interesting amalgam of sounds. In his own words~
“Most of the music I’ve become interested in is hybrid in its origins…Classical music, of course, is unbelievably hybrid. Jazz is an obvious amalgam. Bluegrass comes from eighteenth-century Scottish and Irish folk music that made contact with the blues. By exploring music, you’re exploring everything.” – Edgar Meyer
Click here to watch a clip of Edgar Meyer and Béla Fleck playing a bit of Bach on double bass and banjo, then giving an interview together on A & E's "Breakfast With The Arts."
The last time we went to see the symphony, we were given free tickets which placed us right behind the orchestra on the very front row. I always wondered what that would be like, with the whole audience looking right at this section, where the chorus sits when it joins the symphony.
We quickly forgot about the audience and got lost in the music. I had an absolutely wonderful time being so close that we could follow the conductor and watch his expressions, but also being so close that I could read the music of several instrument sections. That was an unexpected surprise! Being in these seats also meant that we were directly behind the percussion section. I have come to enjoy our orchestra's percussionists immensely, so this was another treat. It was as close to being back in the band (4th grade through high school, where I played flute and bassoon) or symphony (college-bassoon only) as I've been in decades.
James Galway, my childhood hero, played several times both before and after the intermission. That was the main reason we sought tickets this particular night. This was one of our best symphony visits, ever!
Take time to enjoy the music!